Nov. 15th: Day 3 of the Margot Kitchen Workshop

Focus: Fun with ropes* and backbends. Today we prepped for and worked on poses "at the back of the book", referring to advanced poses towards the end of Light on Yoga by B.K.S. Iyengar.

* If you don't know what a yoga rope wall is, check below for a pic of my home studio wall. I'll post more photos soon showing the wall in action.

Supta Konasana (Reclining Bound Angle) - two straps around legs
Supta Virasana (Reclining Hero)
Uttanasana - feet hip width apart, heels out slightly, toes in
Surya Namaskar (Sun Salutations) - variation
Urdhva Prasarita Ekapadasana (One Foot Extended Upwards Pose)
Urdhva Muhka Svanasana into Halasana (Upward-facing Dog into Plough) - on the ropes x 20
Udhva Muhka Svanasana (Upward-facing Dog) - with ropes, partner using a slant board pressing in and up on lower tips of shoulder blades
Purvottanasana (Intense East Stretch Pose) - alternate between on the ropes and on the mat (from "table top" to the full pose), feet flat on the floor
Urdhva Danurasana (Upward Bow) - on the ropes: rope placed high on your tailbone, toes at wall, arching over to the floor
Urdhva Danurasana II (Drop-back Upward Bow) - on the mat, with a partner or not, arching over to the floor; some participants worked on coming back up to standing
Halasana (Plough Pose) - on a bolster
Savasana

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Nov. 14th: Day 2 of the Margot Kitchen Workshop

Focus: Twists.

Virasana (Hero Pose)
Parsva Virasana
Parvattasana in Virasana
Adho Mukha Svanasana (Downward-facing Dog)
Uttanasana
Salamba Sirsasana (Supported Headstand) - Practiced at the wall and in the middle of thw room. The focus was for us to move away from doing a "Canadian Headstand", one where you are always leaning forward slightly. I admit I do this. Fear of falling back is always a culprit but even more so is having a solid foundation in the wrists, arms, and shoulders. Moveover, when my legs work properly there is more ease in the pose. Key points to remember: outter thighs draw in, internally rotate the legs, contract the inner thighs
Utthita Trikonasana - Place one hand in the hip crease of the leading leg and the other hand on the tailbone. The idea with a hand on the hip crease is to draw the hip in while still externally rotate the leg. The hand on the tailbone is there to bring awarenes to tucking the tailbone while moving into the full pose
Utthita Parsvakonasana
Prasarita Padottanasana
Parsvottanasana
Virabhadrasana I - same as UT with keeping the hand on the tailbone and maintaining the tucked tailbone
Virabhadrasana III
Parivrtta Parsvakonasana - from kneeling in lunge on the floor. Lunge, twist, then lift knee off the floor
Upavista Konasana
Parsva Upavista Konasana
Triang Muhaikapada Paschimottanasana
Marichyasana I
Krounchasana
Parsva Krounchasana
Adho Muhka Svanasana
Janu Sirsasana
Salamba Sarvangasana I
Eka Pada Sarvangasana
Parsvaika Pada Sarvangasana
Halasana
Karnapidasana
Parsva Halasana
Parsva Karnapidasana - this was a new one to me. Margot was smart for having included it. I nice deep twist while mainatining the Sarvangasana-zen feel
Savasana

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Nov. 13th: Day 1 of the Margot Kitchen Workshop

As with all her workshops, Margot began by giving some words of wisdom. She choose this time to share insights from her latest trip to India. Margot mentioned how Geeta Iyengar emphasized how practitioners must "find out for themselves" about the asanas and how their bodies relate to them. Geetaji spoke of the need for a commitment to independent practice to nurture and deepen and understanding of their practice. Only then can the yogi move beyond the superficial gains made by going to classes and workshops and become fully emmersed in their practice.

My thoughts: I completely agree. I have had many "ah-ha!" moments while attending classes taught by the best, but the greatest stuff has come about when practicing solo. I've had the best breakthroughs about my mental limitations through my home practice, not to mention my physical challenges.

Good advice from the best of the best..

Focus: Pranayama. Think poses to open the chest, collar bones, rib cage, and shoulders all in prepration for breath work. Here is the sequence with some notes on points that stood out for me.

Adho Muhka Virasana (Downward-facing Hero): Emphasis on lengthening the front of the body, not only the back. The back also needs to elongate in two directions: backwards and down towards the heels and forwards towards the shoulders. The shoullders and upper arms externally rotate towards the floor. The hands can be placed at the outter edges of the mat to help maintain this action and broaden the upper back. Elbows are kept off the floor for a more active pose.
Adho Mukha Svanasana (Downward-facing Dog): Same points as in AMV. Keep the feet widder than hip width with the heels out slightly to broaden the buttocks. Keep the upper arms in the shoulder sockets
Uttanasana (Standing Forward Bend): Same action in the feet as in AMS, broaden the buttocks; grabbing the backs of the calves or hands on the floor
Salamba Sirsasana (Headstand)
Dwi Pada Viparita Dandasana - through a chair, crown of the head on a bolster

Here is what we use for a "yoga" chair:

Bharadvajasana - seated normally on a chair
Salamba Sarvangasana I and II (Supported Shoulderstand) - using a chair, bolster under the shoulders. This is an active version of the pose where you come completely off the chair with the body, i.e., no "sitting" on the seat of the chair nor are the legs supported by the back of the chair. By grabbing the back run of the chair with my palms turned up, I could externally rotate my arms more resulting in a more open chest and fronts of the shoulders.
Niralamba Sarvangasana I (Unsupported Shoulderstand) - on a chair, bolster under the shoulders, arms over the head along the floor

Lower back release - laying on the floor, shins resting on the seat of the chair, lower back supported by a bolster
Bharadvajasana - seated sideways on a chair twisting towards the back of the chair
Bhastrika Pranayama (Bellowing Breathing) - seated backwards in a chair, feet flat on the floor and pointed forward. The idea was to hold onto the back of the chair to once again open the chest, broaden through the collar bones, sit up straigh, and open the groins and hips. Use an alternate nostril fingertip placement. This type of breathing is used to clear the nasal passages without the use of say, a neti pot. It works!
Ujjayi Pranayama (Conquering Breathing) - seated backwards in a chair. Same alignment points as for Bhastrika Pranayama

* Personal note: After sitting in a chair backwards for the previous two types of pranayama, I developed knee pain. I had to work on not allowing myself to be distracted by the pain. Eventually I corrected this for myself by turning my feet ourwards so they matched the direction of my knees (pointed out from the abduction of the thighs).

Viloma Pranayama (Interrupted Breathing) - in Savasana II supported on a bolster, folded blanket under the head
Savasana (Corpse Pose) - bolster placed on thighs

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Iyengar Workshop with Margot Kitchen, November 13-15th, 2009

One of the many requirements for completion of my Iyengar Teacher Training was to attend a workshop this past weekend taught by my dear teacher, Margot Kitchen. I would have attended regardless but it's always a priviledge to skip to the head of the line when registering because you're teacher is, well, the teacher. I was late signing up and would have missed out on attending otherwise (sorry again for my tardiness, Margot).

As a trainee, I had to complete a workshop-related assignment which involved doing a review of the workshop: discuss the points that resonate with me, decide if there was a balanced class each day, discuss the use or lack of use of linking, pinpoint a theme if any to the weekend or to each day, and take note of anything else I thought was relevant.

Margot even offered to receive the trainees thoughts how the workshop could have been improved. A gracious gesture from a Senior Iyengar teacher with decades of experience!

My next few posts will discuss the above and give the sequence of classes from each day.

Stay tuned; there's more to come.

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